Archive for category Tribal / Ritual Ambient

Coil - (2004) ANS (*)

coil-ans

Regardless of the spiritual meanings behind what the group was attempting to accomplish here, this 3 disk set is ultimately, as the title of my review indicates, completely unlistenable. The sounds here do not sound composed; if they evoke anything, it is only an anomaly, an accident- I do not believe one can simply translate an image into sound and still find the SOUL of that image, that thing that made it interesting/worth looking at/spiritually significant, remotely intact.

The ANS is evidently capable of creating some ghostly, strange sounds worthy of inclusion on a Coil album, but the virtually unchanging drone of the ANS is all that is found on the album, and even it is not structured in any way. There is no attempt at track ordering. There is no humanity. This is the closest to mechanical randomness in music one can find.

Perhaps if the rest of Coil’s truly beautiful, transcendental discography did not exist, “ANS” would hold SOME value, but as it stands, even if you evaluate “ANS” as something to use an ambient backdrop for other activities, many other Coil albums are far, far beyond it (”Time Machines”, “Queens of the Circulating Library”).

I’ve heard every piece on this set at least once by now, but I basically had to force myself to listen to it. I can enjoy maybe 2/3 of one track of this at a time from a purely textural standpoint, but it is completely empty sound. I doubt that I would even pay normal CD price for this (I downloaded it), so the fact that they charge more than $100 for it leaves me with no other choice but to give it the lowest rating possible.

In conclusion, I find it admirable that these adventurous musicians would try to work with such a machine. However, I have no idea why they released this. If you haven’t heard Coil, get the “Musick to the Play in the Dark” series. If you’re already a fan, get every other release first, and there are a LOT.

Originally published on Amazon.com on July 27th, 2008.

Dead Voices on Air - (1996) Shap (*****)

Dead Voices on Air - Shap (Cover)

Mark Spybey may insist that Dead Voices on Air is not ambient music, and while he is, at least in my opinion, obviously wrong, he does manage to make ambient music of a different kind of character.

First and foremost, in the grand tradition of the Zoviet France records like “Loh Land” or “Just An Illusion”, “Shap” is for those who enjoy ‘alien’ sounds. The feeling is that the listener has traversed into some mysterious, cavernous beyond with, at very least, no sympathy for human kind, but on occasion, obvious malevolence. It’s up to the listener whether any old ruins or signs of life are encountered.

Drones and simplistic, not-quite-looped, naturalistic rhythms are the basic building blocks of the sound. Familiar noises such as voices and horns are processed into hypnotic, reverberant ostinato; stereo space is used quite effectively. The listener is enveloped in a textural womb of sound that seems decidedly claustrophobic and disorienting, as opposed to huge, ancient, slowly drifting or in any way evoking oceans or outer space, as much ambient does. The sound palette is not afraid to venture into the scratchier, harsher realms, but never becomes all out noise, or really all that unpleasant. You’ll still only find this relaxing if you’re really weird.

Unlike Zoviet France, here Spybey doesn’t care about remaining lo-fi, a quality which arguably made the Zoviet France albums all the more mysterious in sound. “Shap” uses its higher fidelity sound to create a more immersive environment, to let the listener forget that the sounds on the album have been recorded, to let the listener believe these sounds simply surround them as they would if they were encountered in any environment of some kind as opposed to being played from a CD.

All 21 tracks of “Shap” are a seamless trip, and there’s plenty of diversity within the theme to keep it interesting. I found the album to be easily listenable as a whole, and occasionally even wish there was more of it, but hey, there’s plenty of DVoA albums. As always with Spybey, too, it’s the whole package. The art is great and fits marvelously.

I’d recommend listening to this while reading some kind of literature that evokes similar images to what I described above… Anything surreal will do. “Les Chants de Maldoror” did it for me.

Highly recommended. 5 stars.

Simultaneously published on Amazon.com.

Coil - (1998) Astral Disaster (*****)

Coil - Astral Disaster

While possessing a similar aesthetic to other late 90’s Coil like “Musick To Play In The Dark Volume 1″, “Astral Disaster” is more ambient, smooth, vague and dreamlike. Coil’s usual crystal clear synth blips and spliced up voice collages are filtered into a hazy, drooling, mossy carpet of sound, recalling glowing reflections in the murky surface of some unknown pool in a clearing in an ancient, untouched forest… And, as per usual, the mystic voice of Jhonn Balance beautifully narrates the listener for the duration of this album-length mind trip. It has the usual Coil feeling of union with nature; it feels so clean and pure.

“Astral Disaster” is a highly conceptual work. This is Jhonn Balance’s tribute to the sea; its ancientness, its relationship with humanity and its eternity. “Whatever pollutants and poisons Manunkind (Man-unkind) pours into the seas, they too will endure…”

To mention individual songs is mostly useless; the album makes little attempt at movement. It is largely quite minimal and subtle, but anyone already used to ambient music ala Lustmord or Steve Roach should find it lush and texturally beautiful. Those not used to this sort of music should probably check out more accessible Coil releases first.

If you have never experienced Coil, they will take you places in your mind you never knew existed or could exist. They will put you in tune with the energy of the universe. They will show you the ether. Astral Disaster is a late period Coil masterpiece, and a perfect example of their genius. Very highly recommended.

Originally published on Amazon.com on September 24th, 2008.